uta to uta, by 偶然の産物

uta to uta

by 偶然の産物

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1.	せむし 04:56	buy track
2.	intro 00:52	buy track
3.	甘い声 04:24	buy track
4.	朝 02:59	buy track
5.	嫌な予感 03:48	buy track
6.	秋冬 01:38	buy track
7.	uta to uta 02:15	buy track
8.	歌まみれ 03:47	buy track
9.	光彩 02:35	buy track
10.	胸にしまう 03:41	buy track

about

1.せむし

2.intro

3.甘い声

4.朝

5.嫌な予感

6.秋冬

7.uta to uta

8.歌まみれ

9.光彩

10.胸にしまう

credits

released May 1, 2012

record label : HalfYogult

mixing/mastering : takaya suzuki

track 1:guest guiter ryuichi sato from johann

track 3.5.10.guest guiter kunihiro miki from kooreruongaku

track 3.guest chorus asako takezawa from kooreruongaku

track 10 . guest guiter rie shimada from miracle aflo public

「極局地的に世界が待っていた曖昧音波は、もはや計算高い偶然の土産。ハーフヨーグルトとの相性の味わいを、深～く楽しみたい春2012。 -record shop DISCO / aie　中道孝治

『作品に触れるとき、最初にその人の宗教観を意識するんですが、不思議な価値観ですね、暗がりからまばゆい光に向って這い出してきたような音楽』 -土井玄臣

「懐かしさ」という感情は、過去に自分が愛しんだものがふいに思い出されたときに感じるものではなかったのだろうか。なぜなら「偶然の産物」こと三浦くんの演奏をはじめて聴いたときに私が感じたそれは「懐かしさ」以外の何ものでもなかったのだ。壊れかけのランプに照らし出された彼がはじき出していたものは、音を越えた、忘れかけた記憶だった。最近すぎる昔に「この先忘れることはない、忘れるはずがない」と過信した感情だった。これを偶然と呼ぶつもりは毛頭ない。ただ、それが意図された必然であるならば、これは「偶然の産物」としか呼び様がないのではないだろうか。　 -野村和孝（Half Yogurt代表、音盤時代ライター、PWRFL Power)

It’s like the morning light reflecting on water, this sound. Every now and then an insect skims the surface, the ripples creating random patterns that spread out and dissipate. You want to hold on to the moment and the harder you try the farther it travels from memory. Pure, still, and cleansing. I want to hear it again. -Tomo Nakayama, Grand Hallway

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about

偶然の産物 Kashiwa, Japan

偶然の産物
guuzenn no sannbutsu

satoshi miura

ssw from kashiwa , japan

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